回声

79.63万次播放

一名名誉扫地的前警察被迫为一名无情的头目工作，以偿还父亲的债务并保护家人。

2023 / 墨西哥

83.87万次播放

Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

1919 / 美国

18.49万次播放

克瑞里尼克（Koralinik）是一个忠诚的欧洲特工。他坚定不移的相信着特工的宗旨，并且相信着欧洲人民需要他。八年的隐居生活，他每日严格要求自己，生活朴素，尽量不与外界有任何关联，但是他始终没有收到“任务”信息，这也让他陷入了无尽的孤独中，他甚至自己给自己的电话机留言，因为那是一台没有人与他联系的电话机。　　直到有一天他遇到了罗莎（Rosa），就在他与罗莎约会的夜晚，他终于收到了等待了八年的“任务”信息，于是非本意的，他带着罗莎开始了一次荒唐的“任务”旅行。当经历一系列意外之后他终于来到了第一个任务的地点，却发现暗杀目标是当年和他一起的杀手之一，这时，他才得知他们这八年来没有人接到过任务。

2014 / 其它

42.32万次播放

这部现实主义风格的影片突出表现了人与人之间的隔膜和孤独。约翰·卡萨维茨既是性格演员，又是个成功的导演。这部独立制作的影片花了8个月的时间拍摄，所耗费的5万美元是他当演员时攒下的。为节约成本，他用16mm的摄影机在借用的民房里即兴拍摄，并在自己的车库里将影片翻印成35mm的影片。他花了整整3年的时间才找到代理发行的公司，但上映后却受到好评，并获得奥斯卡最佳编剧、最佳男女配角金像奖的提名。　　本片描写丈夫理查德在外面和妓女调情，妻子玛丽娅却和流浪汉同床共宿，当妻子的奸情被丈夫发觉后，理查德痛骂妻子，而玛丽娅则向他声明他们的关系彻底结束。

1968 / 美国

25.38万次播放

物語は1970年代、桐島の大学時代から始まる。反日武装戦線の活動に共鳴して行動をともにしていた彼は、1974年の三菱重工爆破事件で多数の犠牲者を出したことにより、深い葛藤にさいなまれる。警察当局の捜査が進んで組織が壊滅状態になる中、指名手配された桐島は偽名を使って逃亡。やがて工務店での住み込みの職と静かな生活を手にした桐島は、ライブハウスで歌手キーナと知り合う。

2025 / 日本

4.21万次播放

亚杰今年23岁，勇猛过人，在社团内是数一数二的出位份子。年前的一个深秋，亚杰回家时，发现杰姐丽被其父强奸，原来从小以来杰父以多次强奸丽，形成丽自小便有自卑及自闭的性格，杰亦因此特别宠爱丽，眼前丽再被后父欺负，杰一时错手将其后父杀死，从此杰便在江湖消失，在狱中渡过了数年。 一天，当杰正在宵夜之际，一名少女被数名飞仔调戏，她逃跑时，不慎将杰之小巴撞倒，少女主动要求赔偿杰，二人便就此相识了，而这位少女正是富商何立人之女何佩仪。佩仪因刚从国外回港渡假，想不到却邂逅了杰，也因此改变了二人的命运。

1996 / 香港