冲浪学校

64.46万次播放

故事发生在“胡萝卜事件”后5年。 男主人公原野的父母在事件中被流浪犬灵所伤致死,人形宠的残暴给原野内心留下了严重的创伤。他独自生活在城市的平民区,以开“黑出租”为生,排斥一切人形宠。　　一天一个奇

2017 / 大陆

57.06万次播放

Jonas, a 40 something Parisian, is still desperately in love with his ex-girlfriend Léa. When he knocks on her door to confess his feelings and she turns him down, he ends up at the café downstairs.　　Inspiration strikes and he sits down to write her a long love letter, dodging everything he was supposed to do that day. What begins as a last attempt to get her back surprisingly turns into a vivid musing on the state of his life.　　Over the course of a day, helped by a wisecracking bartender and an array of patrons from the neighborhood, Jonas has to face his past relationships, his uncertain future and, most of all, himself.

2020 / 法国

32.33万次播放

我们眼中的队长，别人眼里的小偷！2006年国宝级人文历史文化遗产盗墓团正在踩点呢。　　某一天，国宝级的文化遗产突然消失！尽管博物馆负责人苦苦调查文物下落，但没有丝毫的线索。在宝物消失前，正在追寻其

2006 / 韩国

30.91万次播放

两个怪胎相遇之后　　彼此的怪，不再奇怪　　亚洲首部iPhone拍摄剧情长片　　在爱情的世界裡，我们是彼此的怪胎。　　陈柏青是一名严重神经性强迫症患者，有非常严重的洁癖。每月的15号是柏青唯一一天出门採买的日子，就在某个命运的15号，他遇见了与他「同病相怜」的另一个怪胎—陈静。　　原本以为自己要永远孤单活在这世界上的两人，老天爷让他们相遇，发展出一尘不染的爱情，彷彿拥有了彼此就不再害怕被世界遗弃。然而这段看似命中注定的关係，却在柏青的强迫症突然消失后，渐渐的变了调…爱情的承诺，真的能永保新鲜吗？

2020 / 台湾

51.18万次播放

《毛驴上树2倔驴搬家》讲述了第一书记余丹阳在神仙村开展扶贫工作期间，与“老倔驴”赵大河之间发生的一系列诙谐幽默的趣事。最终，余丹阳在努力下不仅帮助村民们顺利搬家，在生活和思想上全面脱贫，更将整个神仙村带上了一条脱贫致富的金光大道。

2020 / 大陆

38.54万次播放

Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.

1997 / 法国